the call by tanya barfield
University of Michigan-Flint | January 2016
directed by Andrew Morton
costume design by Lisa Borton
scenic design by Shelby Newport
lighting design by Doug Mueller
photos by Mark Baker
 |  |  |
|---|---|---|
 |  rebecca is bold and vivacious while annie is warm and soft - we always know clearly where rebecca stands while we wait for annie to make a decision about the baby |  |
 alemu's clothing is meant to appear to be thrifted - he remembers where he came from and while he's neat and tidy, isn't indulging in new items. |  I wanted annie to feel invisible in this scene, and a bit like she's hiding behind her hat and jersey coat. |  drea and rebecca have gone on yet another eastern trip and indulged as westerners, and here rebecca wears a chained bracelet and necklace reminiscent of indian culture. |
 both peter and annie are wearing their darkest colors in this final scene, as we wait to hear about their decision |